Red Scare’s Dasha Nekrasova: Marine Socialism Towards Succession

Dasha Nekrasova is hungry, and she is not interested in patiently waiting her turn. It’s past 3 p.m. on a Sunday, but the restaurant at West Village Bar Pitti, where she asked to meet me – it’s not that far from her apartment – is still overrun with brunchers. So she suggests the Fanelli Cafe, the mainstay of Soho to see and see, across NYU territory. As we walk, like a bored tour guide with a star map in her head, she shows us all the notable New Yorkers who live along our route. Hilton Als there. Mark Ronson and Chloë Sevigny over there. And in this way, J. Smith Cameron, currently his co-star on HBO Succession. Between this show and his upcoming horror film inspired by the death of Jeffrey Epstein, The scary of the sixty-first, which she co-wrote and directed, 30-year-old Nekrasova, delicately beautiful and brutally intelligent, already famous (or scandalous) as co-host of the podcast That Pushes The Buttons Red fear, could find its way to more mainstream fame. Last year, Maintenance Called her a “socialite of Dimes Square” and the cool-kid lock journal The drunken canal predicted, “DASHA will become the new and better Chloë Sevigny.” It’s time, as a public relations strategist Succession character might say it, to take Dasha to scale. Assuming enough of us get the joke. And assuming there’s a joke to be obtained.

“I’m watching you on TV!” A man shouts when we get to Fanelli, as if to prove the point of glory. Nekrasova gives a friendly hello, then turns to tell me it’s just a joke. She’s an artist she knows, and she just plays “fake nice”. Sensing that she can’t wait to sit down as she waves the scarf under her camel coat, I tell the waitress we’ll settle for the unheated sidewalk table if we don’t have to wait any longer. We both order cheeseburgers and martinis.

The scary of the sixty-first, which she spent editing in her forties, is a project very related to the brand. A tribute to Stanley Kubrick Eyes wide closed – she says it’s in the ‘same cinematic universe’, but you’ll have to watch to find out what that means – the film tells the story of two young women who move into an Upper East Side apartment that previously belonged to to Jeffrey Epstein. Nekrasova plays “The Girl”, a self-proclaimed detective addicted to amphetamines in search of the truth about Epstein’s death. (“It’s our September 11th,” her character says, something one would expect Nekrasova to say on the pod without knowing how much she thinks it.) In part, the character is in some way. sort of an avatar for herself, having been obsessed with the story and personally connected to it through a friend who was a Jane Doe in the matter. “To be honest, I was probably in the grip of something like mania,” says Nekrasova. “The film channeled this mania, this energy, into something productive.” Laughing, she adds, “I was having problems with my medication.

Nekrasova is a child of showbiz. She was born in 1991 in Minsk, just as the former Soviet Union collapsed. Her father was an acrobat at the Moscow Circus and her mother was a gymnast. When she was 3, her father found a job with Cirque du Soleil. “I spent a lot of time in green spaces when I was a kid. We have moved a lot. We lived in Atlantic City and then moved back to Vegas, ”she says, looking forward to my attempts to find meaning in her past. “I guess you could say that’s probably why I’m drawn to the other entertainment industry. “

She attended high school for the performing arts in Las Vegas and graduated a year earlier. Next was Mills, the private liberal arts college for girls, where she majored in philosophy. Remaining in the Bay Area thereafter, she considered pursuing graduate studies in aesthetics and politics, but instead decided to pursue her acting career.

It was when she was promoting a movie called Oscillating Palace – a romantic comedy about a millennial couple trying to save their open relationship which she co-wrote and starred in with Eugene Kotlyarenko, who directed it – at South by Southwest in 2018 she found her role as escape: itself. Dressed in some sort of sailor’s outfit, she was accosted by an Infowars reporter on the sidelines of a talk by Senator Bernie Sanders. “You’ve got worms in your brain, honestly,” she said, looking indifferent between sips of iced coffee. She was quickly nicknamed Sailor Socialism, and John Oliver and others ate her.

“I know people notice my nonchalance in the clip,” she said. “But I think I was really just sublimating a ton of tension and fear.”

The same year, Nekrasova launches Red fear with fellow Russian emigrant and Camille Paglia fan, Anna Khachiyan. He channeled the same cultural energy of the Trump era as the abandoned bro-casts Sperm City and Chapo Trap House, dance along the different you-say-that-the-third progressive tracks of that time. But it was made all the more convincing since it was hosted by two women ready to dunk on Me Too. Nekrasova has very strong beliefs and a strong sense of justice, but she despises piety.

Three years later, the podcast is still on-going, though it feels less urgent in Biden’s doldrums. Yet it did more than attract a dedicated listener; he created an aesthetic, even providing inspiration for the two Gen-Z girls on The White Lotus. To say “Red fear girl “in her twenties, and they’ll know what you mean.” Lo-fi “and” abject “and” Gen-Xy “are three descriptors that Nekrasova throws out. They probably like Lana and voted for Bernie, and maybe they posted a selfie in their Red fear thong last summer.

They are nothing like the short-haired middle-aged women that Nekrasova stares at, at the table behind us, circulating a book by Simone de Beauvoir by McNally Jackson. “Oh wow. We have bibliophiles among us,” Nekrasova said mischievously. n + 1 The columnist once described her voice as the “weary hum of the post-ironic predeception world … the voice of a generation – at least on tone.” “

As we sip our martinis, I ask him about his influence on people. Does she take seriously her responsibility as an informal thought leader for a generation? She laughs loudly, like I’m making a stupid joke. “When I was that age… I remember vividly feeling like I didn’t know what kind of woman I wanted to be, and I felt like there was no role model. femininity that resonated in me. which is part of the thesis of Red fear,she said. “Not that I want to think of myself as a role model, but I find it gratifying, even though the archetype Red fear girl is kind of a nightmare. Sometimes I’m like Wow, I really spawned a monster. But at least there is an alternative.

Does she think her anti-wake-up podcast – she likes to say ‘late’ and interviewed Steve Bannon and roll her eyes on the non-binary – has helped or hurt her career? “The two.” Does she have any regrets? “No no No. Everything is sort of going according to… God’s plan,” she says. She is a practicing Catholic, but with a little nihilism. “Our culture and our society is in decline,” she says. she wearily. “Everything is interesting, even if it’s depressing and rotting. Then she quotes Mao:” Everything under the sky is in total chaos; the situation is excellent.

It’s one of those times when I stop and wonder how many times this whole thing gets pissed off for the sake of being pissed off, and how many times does that say something about his politics, or politics in general, in these suspicious, delusional ironic times that we live in at some point, Nekrasova relaxes a bit and shows me pictures of a boyfriend that she denied earlier in our conversation, and asks me, almost out of nowhere: “Do you think we could have Alex Jones on the capsule?” Before imitating his growl. I laugh, not knowing if she’s being sincere or just trying to troll me.

Turns out she meant it: a week later, when the new Red fear drops is a two-hour interview with Jones, complete with flirtatious photos of him on his Instagram holding guns on his Texas ranch. She and Khachiyan aren’t exactly holding Jones down for the episode. Jones laments his misplatform, defends Kyle Rittenhouse, explains how the “new world order” was committing “mass slaughter” via COVID, and insists he never engaged in wacky conspiracy theories about how whose Sandy Hook massacre was a “false flag” operation led by “crisis actors” – although they were found responsible in the lawsuits brought by the families of the victims. Nekrasova throws soft bullets at him, asking him why he thinks he was “murdered” by everyone from “the regime to the corporate media”. This is exactly the sort of helpless behavior that would surely send her Succession Comfry character in a crisis management spin.

While waiting for a check, Nekrasova gets up, a little abruptly: “Do you mind if I go?” As she walks away, two curly-haired, ring-nosed fans stop to say they love her – “Dacha ?!“- and she is lounging.” Actually, I don’t have an HBO subscription, “one of them admits after he leaves.” But Succession is the reason why I’m looking to steal one from my friends. At this point, Kanye West walks past the restaurant, surrounded by a gang of masked men, and everyone turns around, trying to take a picture. The girls behind me can’t believe their luck – Soho is just enchanted by the stars this afternoon: “Dasha and Kanye ?! “

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